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Tag Archives: Laila Marie Costa

The Plastic Jewellers

In the foyer of the Counihan Gallery is selection of ear-rings with recycled components, recycled silver and plastic. TempContemp’s exhibition of sustainable jewellery is part of the “Art + Climate = Change 2019” arts festival.

Ann Welton, Flotsam and Simone Alesich, Gelo One

On Saturday one of the exhibiting jewellers and curator, Laila Marie Costa led walk and talk; or rather a talk with a walk to change the location. It started at the Counihan Gallery and continued, not far off, at Northcity4. The reason for this geographically extended talk was that TempContemp was also presenting “The Urban Gleaner & the Plastique Pt. II” another exhibition at Northcity4’s very small exhibition space (also part of “Art + Climate = Change 2019”).

Costa is an advocate for contemporary jewellery to have the same status as ceramics in the contemporary art world. She works with found materials and was exhibiting a pair of dramatic earrings built on inverted glow-in-the-dark crosses.

Northcity4 is a jewellery studio in Brunswick in a factory converted into studio spaces on Weston Street where seventeen jewellers work. Costa gave us a quick tour of the well-equiped studio with a forest of indoor plants. The studio tour was followed by a chat about both jewellery exhibitions and the use of plastic in contemporary jewellery.

Two more jewellers, Regina Middleton and Lauren Simeoni spoke about their work in the exhibition.

Lauren Simeoni uses fake plants as her primary material occasionally sneaking in precious materials into these compositions. In her hands the unnatural stamens, twigs and branches become necklaces and ear-rings.

Although they are using plastic as their primary material the horror of plastic covering the planet in a colourful layer of toxic chemical junk is very present in all their minds. Middleton describes an encounter with a Thai beach covered in plastic rubbish and the “tragic beauty of plastic” as it breaks down into smaller and smaller pieces. Middleton creates displays of these tiny, weathered fragments of plastic collected from beaches; elegant display boxes of poisonous, anti-magical, gems.

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Campy minimalism & the Minimalist camp

Two local contemporary artists start the Counihan Gallery in Brunswick’s program of exhibitions for 2014. At the exhibition opening on Thursday evening the older locals around the cheese board were all aghast. They felt alienated and annoyed by the two exhibitions. Maybe the opening remarks of Su Baker, Director of the Victorian College of the Arts might answer their many questions. I don’t know if it did, I wasn’t going to hang around just to find out. I’d seen the exhibitions; there isn’t that much to see but what is there isn’t bad.

In Gallery one is “Diagonals and Some More Tangents” by Laila Marie Costa. It is Latino campy minimalism and subtle amusement at the materials along with some less subtle fun with the whole game of consumer culture, mass production and football. I loved the display case of the revolving Playboy and Win lighter case in the vitrine You Spin Me Right Round (Like a Record), 2013, along with her minimalist tributes to Barry Humphries, Jules Verne, Robert Rauchenberg, Paul Klee and others. Some of the work was a little obvious in the visual puns, like Dipped Wick 2012-14.

Laila Marie Costa is a Melbourne based artist who last year was artist had a residence at Residencia Corazon, La Plata, Argentina (she has a photo blog about that which is worth a look and shows her visual humour). Also worth a look is Laila Marie Costa there is Jason Waterhouse’s blog post about exhibition at Stockroom Gallery in March last year.  She is described as a cartoonist/illustrator, a zine editor and she makes funky plastic rings (there were some plastic rings on an egg cartoon in the exhibition Untitled (for Jean Paul Gaultier) 2012.

In Gallery two there is “Social Resonance” by Ben Taranto. Most of the space is empty except when it is filled with the sound of the the large steel sheet reverberating like thunder. There are two video projections of water; one over a blue black lenticular triangular forms, like a bar graph of the resonance. The sonic waves are portrayed as the ripples on the water. A single spotlight on a done of slumped glass on a steel square creates shadows with chaotic edges. You can transition through the surface of the water, you can see through the glass and you can walk through the space. Carmen Reid has written an introduction explanation of Taranto’s installation on the room sheet but the locals at the cheese board were unlikely to read it. Lots of stuff about Buddhism and empty space…

Ben Taranto is a recent graduate of the Victorian College of the Arts, in sculpture and spatial practice who is focused on absence. This is his second solo exhibition although he has exhibited at the Counihan before as part of Moreland Summer Show, 2012. He has exhibited in places where I must have seen his work before including Brunswick Artspace 2013 Annual Open Entry Prize but I haven’t mentioned him before.

When a member of the cheese board jury declares that there was nothing to engage with in the exhibition I had to point out that the steel sheet made a sound when engaged. I wanted to add that if you can’t get mental laugh when looking at the work of Laila Marie Costa you either haven’t really looked or you don’t know enough about art history, football and what is unimportant in life but as the cheese board jury weren’t impressed with my first remark I kept it for you. Good selection on the cheese board, a good feta and a blue with bite – I didn’t try the brie or the hard cheese.


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