Last year on Christmas morning, the ninety-nine-year old artist Leopoldine (Poldi) Mimovich died aged 99. This year Australia Post’s Christmas 2020 stamp features a painting by Mimovich. A madonna and child surrounded by Australian fauna and flora, illustrating Mimovich’s desire to adapt Christian images to Australia. Mimovich is best known for her Catholic liturgical sculptures which is why I hadn’t heard of her before I walked through Alexandra Gardens in Kew.
According to the bronze plaque in the garden, Mimovich gave the city ten sculptures in 1990. Her house and studio, at 33 Miller Road, was only a fourteen-minute walk away.
The sculptures are scattered around the garden: groups of children, a girl with a rabbit, a woman, a seated man with a long beard that flows over his foot. I could only find seven and one of them was concealed in the foliage so I wouldn’t be surprised if the other three were also hidden in the undergrowth.
Unlike most of Mimovich’s sculptures, the ones in the public gardens have a secular theme. Like all of Mimovich’s sculptures, the figures have simplified forms, typical of mid-twentieth-century modernism. They work well with the garden setting, contributing to the scene a quiet, reflective mood.
During her very long life, she made many religious sculptures, and when she was no longer able to sculpt, she painted icons. In 1985 she received an Order of Australia Medal for services to sculpture. And in 1996 her experience as a post-war migrant coming to Australia was told in an episode of SBS’s series: Tales from a Suitcase.
Museums Victoria has a short biography of her: Leopoldine Mimovich, Austrian Migrant & Artist, 1949 by Stevenson, M. and McFadzean, M. (2010) This biography does miss one dramatic moment in her life. In 2014 her house caught fire in the afternoon as she dozed in her reclining armchair. She was rescued, unharmed, by three neighbours, but many of her sculptures were smoke damaged.