Liz Walker’s Still Life is based on the flower arrangement at the wake for murder victim, Jill Meagher at the Brunswick Green. It is a mix of beauty and danger, violent and domestic elements. It is all made from found and recycled materials. The sharp shards of the broken beer bottles are open like lilies, the stamen are knitting needles and bullet casings, the leaves are knives painted green. It is referencing the Royal Commission into Family Violence.
On the first Thursday night of the month there is an exhibition opening at the Counihan Gallery in Brunswick. It is the final exhibition for the year, the public end of year for the gallery, the Moreland Summer Show, an exhibition of artists connected to the City of Moreland. This year there are forty artists producing work on the theme of “factivism”.
Counihan gallery’s curator, Victor Griss said that he wanted a word to be “diagonal counter” to slacktivism, the superficial show of online support for a cause. To have a theme that has both infinite possibilities and limits.
There were almost two hundred people, wine, nibbles, the obligatory speeches, from the Mayor of Moreland who won’t be Mayor in a week or so, the curator, Victor Griss and former curator, Edwina Bartlem. It is an inclusive community; for the first time there was an Auslan interpreter to translate the speeches into sign language.
Edwina Bartlem is a former curator of the Counihan and a local resident, who is now the Exhibitions Manager at the state Library of Victoria. Edwina recognised the community aspect of the exhibition opening suggesting that everyone talk to someone they hadn’t met. I already had, I had to compliment the recycling cyclist on his amazing waistcoat pinned with objects.
Lots of people to say hello to. It is a community that I have been writing about in this blog for many years. I have seen some artists develop from early attempts to their current work. I have written whole blog posts about some them: Wendy Black, Julian Di Martino and Alister Karl.