This is a collection of photos of Melbourne public sculptures and their maquettes. Maquette is an arty French word for a ‘model’ from when French was the language of art (now the language of contemporary art is any language that you speak). They are made in a variety of media from wood, wax, clay or anything other inexpensive media that works for the sculptor.
Sculptors make them as visual sketches for themselves but they are also used to get commissions for sculptures. The sculptural equivalent of architectural models. The City of Melbourne has a small collection of these maquettes in their storage, as have the Arts Centre, that were submissions for sculpture commissions.
These models are made directly by the sculptor whereas the full-scale version may be the work of both sculptor, assistants and other fabricators. The models for bronze sculptures are made out of bees wax and multiple bronze editions of these scale models are sometimes made.
Louis Laumen’s Pastor Sir Doug and Lady Gladys Nicholls Memorial (aka Dungala Wamayirr) was originally design to be on opposite sides of each and to be on a higher plinth. Here they are along with James White’s Edmund Fitzgibbon Memorial, along with another unknown statue (possibly Peter Corlett’s John Cain but on a plinth).
A hostile installation is where a public sculpture is installed in a very unsympathetic way, like John Kelly’s Cow Up A Tree which has been located behind a ‘temporary’ coffee shop in Docklands for years. There are a few hostile installations of public sculpture in Melbourne and then there is hatred directed at Marc Clark’s Portal, 1973.
The hostility directed at this sculpture is exhibited in both neglect, storing a sign next to it, and blocking views of the sculpture with a corrugated iron ticket booth. Clark’s Portal as its name indicates is meant to be a gateway, standing at one of the entrances to Myer Music Bowl. Instead there is a rectangular booth stuck directly front of it. What is wrong with the Myer Music Bowl? The Myer Music Bowl is run by the Melbourne Arts Centre, who should know how to take care of a sculpture.
Sculptor and educator Marc Clark did nothing to invite this. This is Australian passive aggressive indifference; all antipathy with no responsibility. Both Clark and his sculpture are victims of the hostile attitude; they just happen to be in the way of philistine forces from some staff at the Myer Music Bowl.
A versatile sculptor Clarke created the formal abstracts, like Portal, and representational sculptures, like his Captain Cook statue at the Captain Cook Cottage in Fitzroy Gardens or his bust of botanist and explorer, Baron Ferdinand Von Mueller in the Botanic Gardens.
Sculptures need to be maintained and do not magically remain in perfect condition. Fortunately they are more easily repairable than other public art (see my post on the conservation of street art). There are sculptures that are regularly repainted like Ron Robertson-Swann’s Vault. Public sculptures are sometimes damaged in accidents, like when a truck hit Peter Corlett’s Mr Poetry and broke its leg. Portal needs to have rust and moss removed and it’s surface repaired and repainted.
A new location has to be found for the ticket booth or Portal, so that both can function as they should.