Tag Archives: Montreal

Paintspotting in America

Paintspotter, noun, definition: like a trainspotter but for people who look for street art and graffiti (a portmanteau word coined by Fletcher “Facter” Anderson, editor of Invurt).

Stencil Dumbo district NYC

Stencil Dumbo district NYC

I’ve recently returned from travelling in Canada, New York and Boston. When I visit other cities I am a stranger trying to get to know the place, finding the hidden places where street artists and graffiti writers like to work is even more challenging. I try to find a street art tour or a local who knows the scene but often this is not possible. I probably am not seeing the best locations for street art in these cities. Street art is such an insider’s game and that makes it difficult for a tourist to play. In this respect sticker art is the travelling paintspotter’s friend because it gives you a sample of local street art conveniently located on the backs of signs.

Railway graffiti Canada

Railway graffiti Canada

The way to see lots of graffiti is to travel by train. It is not a good way to photograph graffiti but it is a good way to see a lot (respect to all the Bridgeport writers). I did to train trips from Ottawa and Montréal and from NYC to Boston. The best graffiti that I saw in Canada was in Montréal’s plateau district; there were also a couple of impressive walls in London Ontario.

Wall, London, Ontario, Canada

Wall, London, Ontario, Canada

Street art in Montreal

Street art in Montreal

Of the notorious or famous artist whose work I saw Revok up high up in Montréal, Neckface high up in NYC’s Bowery, Shepard Fairey in the Bowery and a piece by Kenny Scharf in Chelsea – Scharf had an exhibition in a gallery just across the road but it was shut so I could only see it through the large windows.

Shepard Fairy Bowery NYC

Shepard Fairy Bowery NYC

Kenny Scharf, Chelsea, NYC

Kenny Scharf, Chelsea, NYC

Another way to find graffiti is to track down the art galleries and there will often be some street art and graffiti in the area. This rule proved true for NYC’s Dumbo district where I saw some of the best street art that I saw in NYC. I didn’t any further into Brooklyn but there was so so many things other that I wanted to see and do in NYC.

Graffiti Wall of Fame, Harlem, NYC

Graffiti Wall of Fame, Harlem, NYC

In Lonely Planet I read about the “Graffiti Hall of Fame”, a wall in NYC but when I got there it was small and capped. The other side of the wall was in better condition but less accessible. So there was I standing on the corner of this street in Harlem asking people passing by if they knew of any other good graffiti locations – New York is a very friendly city but nobody knew of any good walls.

Reverse side of the Graffiti wall of fame, Harlem, NYC

Reverse side of the Graffiti wall of fame, Harlem, NYC

I was just lucky in Boston on the way to the Barry McGee exhibition (see my post) I left the T station and right in front of me is this great wall by Os Gêmeos.

Os Gêmeos, Boston

Os Gêmeos, Boston


Heroes of Every Nation

Melbourne has never been a united city; it has always been divided between the European and the Aboriginal (not to forget the Chinese, the Afghans and Indians). Melbourne is still divided along lines of ethnicity, politics, class and religion. And sometimes the social divisions are translated into metal and stone with memorial statues to heroes.

Melbourne has statues to heroes of every nation: Robert Burns for the Scots, Daniel O’Connell for the Irish, General Gordon for the English, Dante Alighieri for the Italians, King Leonidas for the Spartans in Brunswick and General Sun Yat Sen in Chinatown. The existence and location of the statues demonstrates and reflects the political power of that particular community.

Daniel O' Connell, 1891, Thomas Brock

Daniel O’ Connell, 1891, Thomas Brock

Daniel O’ Connell, 1891, by Thomas Brock A.R.A. is located on the grounds of St. Patrick’s Cathedral. Thomas Brock (the A.R.A. on the plaque indicates the Brock was still an association member of the Royal Academy, he became a full member later that year) was an English sculptor who sculpted the British Royalty making him an odd choice to sculpture the Irish nationalist hero.

Robert Burns Memorial, 1904, G.A. Lawson

Robert Burns Memorial, 1904, G.A. Lawson in Melbourne 

Robert Burns Memorial, 1904, G.A. Lawson in Montreal

Robert Burns Memorial, 1904, G.A. Lawson in Montreal

The Robert Burns Memorial, 1904, by G.A. Lawson is located in the Treasury Gardens. There are many other copies of this memorial in Dublin, Melbourne, Montreal, Winnipeg, Halifax and elsewhere, including Burns home town of Ayr. The sculptor G. A. Lawson (1832-1904) was born in Edinburgh most noted for the statue of Wellington on top of Wellington’s Column. The Melbourne’s memorial was commissioned by the Caledonian Society, presumably the united societies, as there were no fewer than fourteen Caledonian Societies in Victoria at the time.

The General Gordon Memorial, 1887 by William Hamo Thorneycroft is located in the eponymously named Gordon Reserve near Parliament. William Hamo Thorneycroft (9 March 1850–18 December 1925) was a British sculptor and like G.A. Lawson a member of the New Sculpture movement in the 19th Century. The statue in Melbourne is the same as the one in London except that the granite plinth is significantly higher and includes four bas relief panels depicting historical periods of General Gordon’s life: China 1863-4; Gravesend 1865-71; Sudan 1874-80; Khartoum 1885.

The marble bust of the Italian poet Dante Alighieri came into the possession of the City of Melbourne as a gift from the Dante Alighieri Society for the 1956 Melbourne Olympic Games. Originally it stood in Treasury Gardens with a bust of the radio pioneer Marconi but both were removed in 1968 due to vandalism. In the 1990s both busts were briefly displayed in Argyle Square before Dante was again defaced. Both busts are now at the Museo Italiano in Carlton.

Now all Melbourne needs (if it needs any of these statues) is statues of Gandhi, Nelson Mandela and who else?


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