Tag Archives: plastic

Rendall’s Plastic Things

The last time that I saw Steven Rendall’s art was at John Buckley Gallery; I wrote a blog post about it over a decade ago. It included two large paintings about things on shelves. This time I’m looking at his Things Between Other Things on window frames of the Counihan Gallery in Brunswick. The exhibition is “The Space We Live, the Air We Breathe”, curated by Jan Duffy and Matthew Perkins. And Rendall is still making art about things.

Things Between Other Things is a collection and a reference to filling in time with this project. For time makes an appearance amongst the materials listed: “scavenged plastic, time, polymer emulsion, glue, screws and various other things”. A metaphor for life, sandwiched between things, waiting for the next thing.

As Rendall’s artist statement iterates. “These are the things between other things. They are sculptures in the domestic filed. They find their place between other moments and actions, between breakfast and going to work. They are easy to store and transport.They are endless and can be made of anything. They are a subsets with the overall scheme – some are more like fantasy gaming figures; some are more like modernist found object assemblages; some are made from a unified colour range; some are painted; some aren’t; some are inspired by practical special events; some can relate to art historical references. They exist.”

Rendall’s things are evenly spaced along the gallery’s window frames. This means that they can be seen from both inside and from the outside on Sydney Road. I wonder what the people waiting for a tram will make of these beautiful and frightening Anthropocene mash-ups. Cthulhuloid monsters with scuttling claws glued together with other broken toys. The true horror is the materials sourced from the infinite amount of plastic in our time. It gets everywhere, from the depths of the oceans to placental fluid.

Many creative people are trying to use what they can of this pollution, recycling, or just up-cycling. For art is about using up the surplus materials, as well as, time. Lego Lost At Sea (@LegoLostAtSea) documents and creates photographs of carefully laid out collections of plastic found on the beach. For more plastic recycling see my post on local jewellers.

The other two exhibitions at the Counihan, Jessie Boylan’s “The Smallest Measure” and Mikaela Stafford “Proximity”, are presented in association with CLIMARTE: “Arts for a safe climate”. Boylan is about air and measuring gases in the atmosphere. And Stafford has a strange beauty, both digital and biological. However, Rendall’s Things Between Other Things really made me think about the environment, the space we live, and the air we breathe.

My view of parts of Mikaela Strafford “Proximity”

Louise Paramor @ NGV

I first saw a sculpture by Louise Paramor when her Noble ape was exhibited in Melbourne Now 2013; it is currently installed in the garden at the back of NGV International. Other people might know her from her Panorama Station sculpture beside the freeway in Carrum Downs. Then I saw Paramor’s sculpture, Ursa Major being installed in Federation Square for the Melbourne Prize 2014. I hadn’t seen any of her previous twenty or so years of exhibiting sculpture.

Louis Paramor

Louis Paramor, Noble ape, fiberglass, plastic and steel

Currently the NGV is exhibiting Paramor in two large spaces on the third floor of the Ian Potter Centre: NGV Australia with a specially commissioned installation of new paper sculptures and a survey of her recent colourful plastic assemblages.

Palace of the Republic is a series of massive paper sculptures. Honeycomb paper decorations on a scale that will leave you awestruck. It is a reference Paramor’s earlier artistic practice before she started to collage found plastic objects.

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Louis Paramor, Palace of the Republic, paper, steel, aluminium and plywood

Unlike the personal art of Del Kathryn Barton, exhibited on the same floor to the Potter Centre, Paramor’s sculptures inspires no interest in the artist. There is nothing that I can tell you about her that will help you make any more sense of her art, so I will tell you nothing. Likewise you don’t need to know the history of art, anything of biochemistry or French to make sense of her art. Partially because her art makes little sense; her sculptures are cool and humorous and I know this by the smile that they grew on my face when I saw them.

A curator explains them noting that they “combine formal concerns with a pop-inspired sensibility.” That is arranging found plastic in an asymmetrical way makes them look silly and funky.

Studies for Boomtown is a series of maquettes for sculptures that demonstrate Paramor’s seemingly inexhaustible creativity. Perhaps it is inexhaustible due to the supply of plastic objects in the world.

Louis Paramor

Louis Paramor, Studies for Boomtown, 2016, plastic, steel, wood


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