Hanging above my desk is HaHa’s stencil portrait of Nicky Winmar and I have long wanted to see a public bronze statue of Winmar ever since that football match at Victoria Park in 1993. I’ve never been interested in Australian football nor do I think that more bronze statues are a great addition to a cityscape. I wanted one because Winmar’s gesture in reply to racist taunts is both significant and beautiful.
Australia is still in love with monuments and memorials. There is no shortage of recent official monuments and memorials in Melbourne from traditional bronze figures to abstract monuments, like the Great Petition. These permanent monuments express the desire to establish a national mythology but given the lack of statues of both women and Indigenous people it is not representative.
Public sculpture is an obvious indication of the political and social values and structures of a place. Public sculptures make obvious public statements, from the choice of subjects to the style of the finished work it is all deliberate. This is why Australia needs a statue of a proud Noongar man standing victorious in defiance racist taunts.
If someone had asked me which sculptor I would like to sculpt Winmar I would have picked Melbourne-based sculptor, Louis Laumen because of his experience in sculpting sporting heroes around the MCG. Not that anyone asked me (nor I am surprised that they didn’t, I have no power or influence) but the commission did go to Laumen. I don’t like Laumen’s style but I know that it will be appreciated by the crowds of football supporters. My one criticism is why Laumen keeps on making statues with their mouths half open; Wayne Ludbey’s photo shows that Winmar was tight lipped as he points to his chest.
The only problem now facing the statue of Winmar is that it hasn’t been decided where to install it: Melbourne or Perth. Perth because Perth’s Optus Stadium on Noongar land. It is a strange problem for a sculpture and the Indigenous Past Players Association is right to question the process because generally a location for the sculpture is agreed before it is commissioned. There is an obvious solution to this problem; bronze sculptures can be made in multiple additions. So lets put our hands in our collective pockets and pay Louis Laumen and Fundêre Foundry in Sunshine for another edition of this important sculpture.