Tag Archives: Reka

Graffiti & Architecture

If graffiti is a major design movement, the contemporary equivalent to art deco, a total style from graphics to fashion to architecture. When I first wrote about street art and architecture in 2009 there was very little to write about apart from bigger walls. Now there are whole buildings.

Reka on building in East Richmond

Painting whole wall or whole building is becoming more common in Melbourne with works by Reka, Ears, Ghostpatrol and others. Most pieces use a section of wall as simply a support for the paint without consideration about the size of piece in relationship to the size of the wall. Going around the corner, looking at the whole wall or painting a whole building is something else.

But it is still just another façade.

Hive Graffiti Apartments in Carlton

In 2011 ITN Architects built Hive Graffiti Apartments. Located in the inner city suburb of Carlton. The project is the architect’s home; I went along to see it when it was open to the public as part of Open House Melbourne 2012. It is a joint development by the architect Zvi Belling and Melbourne old school graff artist ‘Prowla’, both of whom reside in the building. For more images and a floor plan of Hive see DeZeen Magazine.

‘Prowla’ was a member of the Rock Da City graffiti crew (1987 – 2009) – his dog was calmly watching all the people waiting in the garage from the stairs to his apartment.

On one side of the building large concrete letters and windows spelled “Hive” along with a couple of arrows on the upper floor and some dynamic old school design. But what apart from the façade was graffiti about the apartments? It is hard to know as this may well be the first graffiti style building in the world. The Hive is the first in a promised series of Hip Hop buildings designed by ITN Architects maybe when we see some more it will be easier to say. Perhaps, it is the collaboration in the design, or, incorporating existing urban elements – from the original street face of the old tailor’s shop, the old brick walls and the laneway entrance. The house is like a fresh new piece in an old laneway. Inside the lines are crisp, it is compact and the angles flow with a cool direction.

The street art collection hanging in the house was familiar – I’d seen some of it at a Melbourne Stencil Festival exhibition many years ago. The house was also familiar in a way, there was no feeling of being unable to imaging living there; it is like a typical flat only cooler.

Letting it all Hang Out

On Thursday afternoon I was walking around looking at galleries and the street art in Richmond and Cremorne. Why not they are just on either side of the Richmond train line. Well, Block Projects is further down Stephenson Street than that but there was some street art to keep me amused along the way.

Block Projects had a great exhibition by Richard Grigg. At first I thought have I walked into an exhibition by a group of intellectually challenged individuals. It looked awkward, stumbling and obvious. “It is a very brave exhibition,” Malcolm, from Block Projects told me. It is indeed; he is letting it all hang out, as they would say in the sixties. Grigg’s unconscious is so close to the surface you can see its periscope, conning tower and the wake

I walk around again to appreciate just how much Grigg’s is pushing himself in all directions. There is the crude, the childlike, the doodle-like, comic book, symbolic, text-based, graphomania, and ultra-fine drawings splashed with other stuff. Grigg’s large pencil drawing on paper are excellent, especially the sleeping crocodile being teased by branches and bladders in “tickle, tickle, I will save you” and the pile of dead animals in “after the flood”. It is all wonderfully surreal in an entirely contemporary way.

Across the railway tracks I wandered the back streets looking for galleries and street art – a few good pieces including this magnificent side of a house by Reka. Finally I found Place Gallery amid the many warehouse conversations.

Reka, house wall Richmond

Place Gallery had an exhibition by Glenn Morgan. There are 8 paintings along with 3 of the wood and tin diorama sculptures that are Morgan’s signature work. Morgan is also letting it all hang out with his art; in his large panoramas he shows the turmoil of everyday life in detail with speech balloons. There is a series telling the personal story of his relationship with his uncle.

Glen Morgan is also exhibiting a series of paintings that tell the story of Victoria’s drought. There is including one great, epic history painting, “Global Warming” that shows drought, bushfires and floods. You don’t get many history paintings anymore; they used to be so popular.

It struck me looking at Glen Morgan exhibition and considering Richard Grigg’s exhibition that Glenn Morgan doesn’t appear to be such an outsider artist anymore. It is not that Morgan’s art has changed the world has caught up with him. On the streets and in the galleries the artists are letting it all hang out.

Everfresh @ NGV Studio

At the NGV Studio in Fed Square the Everfresh crew: Phibs, Rone, Reka, Meggs, Sync, Makatron, Wonderlust, Prizm, The Tooth, and “special guests” are giving a taste of the awesome work that they have been doing on the streets of Melbourne for a decade. The exhibition is worth seeing for anyone at all interested in Melbourne street art; the art presented at NGV Studio is worth seeing and shows the range Everfresh’s art on the streets. And it is always fascinating to see artist’s studios. But there is something wrong with the way the NGV is presenting this exhibition/residency.

Everfresh's studio in the NGV Studio

The most obvious thing was that there is no curatorial information from the NGV on the exhibition or any of the art in the exhibition. The 5 Ws are not covered: who are Everfresh? What the NGV Studio residency is about? Where Everfresh is based? Why they are in the NGV Studio? And how the exhibition work? There aren’t even any labels to identify the artist and work – Everfresh, or the “special guests”? There is information about Phib’s exhibition at Hogan Gallery as if it was all a publicity stunt for that exhibition.

The exhibition runs out around the corner next to the disable toilets – I wanted more. It seems to running out before that as there are 2 display cases still wrapped in plastic standing empty in the space.

It is “a selection of artworks from over the last 10 years, plus a whole heap of other stuff from the studio that kind of makes it what it is.“ (Everfresh website) The exhibition makes it look like Everfresh are already history and their paint splattered shoes, rubber gloves and homemade mops are in a vitrine – and they are at the exhibition. I have seen the archeologically preserved remains of Francis Bacon’s studio in Dublin (see my post about Bacon’s Studio) and Brancusi’s studio in a glass box next to the Pompidou Centre. Both Bacon and Brancusi are dead but I know that the Everfresh guys are still alive and working, they have a lot of other stuff going on right now. There is no music playing, even the video game machine was silent – it was as quiet as the grave or an art gallery when I visited. So there is this feeling hyperreality about the whole exhibition and the “residency” at the NGV studio. Adding to the hyperreality is the Everfresh “Graff Mobile” with a giant fluro marker on the roof rack.

Some of this history aspect to the exhibition is good, like the cartoon design for the massive Fitzroy mural. Or 5yncRone’s cardboard stencil thick with red paint, mounted as a negative. Or the dense display of little photos, postcards, stickers, toys, little drawings and other stuff. Or the old boards thick with tags, paint and other marks. Along with all the items riffing on the Everfresh label.

But I keep asking the question is this exhibition history or is this fresh?

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