Tag Archives: Rudyard Kipling

The Great Australian Lie

brun-flags-not-snags

unknown, stencil, Brunswick

“Australian history does not read like history, but the most beautiful lies.” Mark Twain wrote and he knew how to stretch the truth.

There are so many lies; Australians aren’t racist but yet have managed to commit genocide and have racism in it constitution. The bullshit piles up so fast you’d be buried alive if you only listened to Australians.

Remembering that the The Commonwealth of Australia exists as nothing but words. The country that calls itself The Commonwealth of Australia is built on the lie of terra nullius; everyone knows that the Aboriginals were the true owners of the land. The only things that is definitely Australian is the word ‘Australian’; everything else is disputed territory.

“Indeed, what we think of as Australia is a species of fiction – as, in essence, is any nation. Hoaxes lie at the foundation of the European discovery and settlement of the Australian continent and familiar myths like that of the Anzacs, Bodyline and the Kelly Gang all have a substantial, if often overlooked, hoax component.” (Simon Caterson Hoax Nation (Arcade Publishing, 2009, Melbourne, p.15)

Australia does have not much history, instead it has lots of ‘legends’; sporting legends like Phar Lap, folk legends like Ned Kelly, ANZAC diggers, lots of legends. The word ‘legend’ is widely used in Aussie slang to denote a superlative. No truth implied in the use of the word ‘legend’; the story is better than the facts, better than history. Nobody expects a legend to spawn imitators, who could expect to repeat to legendary achievements? A legend quarantines the subject whereas history has effects that are felt today.

“I said at the time, if only half of what is written about Australia is true, it must be lovely there; but all these reports are lies and deception. My advice is: stay at home and provide for yourself in an honourable way.” Carl Traugott Hoehne, 1851 (The Birth of Melbourne ed. Tim Flannery, Text Publishing, Melbourne, 2002, Australia)

When I first arrived in Australia I’d never encountered so many people so keen to lie to a stranger before in all my travels around the world, I had already lived in three other countries and had visited half a dozen more. I remember thinking how stupid all these Australians liars must be to think that I’ll believe this stuff. And I am not the only one Rudyard Kipling was amused the quantity of lies that he was told on his visit to Australia. (The Birth of Melbourne p.358)

Australians enjoy lying to foreigners but more numerous were the lies told by new arrivals to Australia about their own pasts. Coming to a new country is a process of re-inventing the self and the self is just a story that we tell ourselves. The great Australian lie that masks the deep Australian insecurity. The great Australian lie fosters anti-intellectualism and other aggressive responses to feelings of inadequacy.

Too often art is supporting this fiction but there are artists producing great art that attacks the Australian fiction. “Fictional beauty & beautiful lies” by Gemma Weston (Art & Australia v49 no1 2011) discusses the art of Tarryn Gill and Pilar Mata Dupont. Tarryn Gill and Pilar Mata Dupont’s video Gymnasium, that won the Basil Seller’s Art Prize in 2010, beautifully and knowingly recreates an example of the fascist lies of white Australia (see my blog post). There needs to be more art exposing, exploring and explaining the dishonesty of the Australian fiction. There is also a need for art to tell a better story.

 

nationalism

Graffiti dialogue in Brunswick

I have accepted the call from Warriors of the Aboriginal Resistance for #7DaysOfResistance, Jan 20th-27th in the lead up to #InvasionDay. This post is part of the resistance.

australia-pasteups


Erehwyna Enruoblem

There is so much variety in the architecture of Melbourne, from the early colonial basic rectangular bluestone buildings to recent constructions. In one city block you might see half a dozen or more architectural styles. The mix of European and international style architecture means that Melbourne can look like any generic western city.

Something apocalyptic happening at State Parliament when used as a film location

Something apocalyptic happening at State Parliament when used as a film location

Melbourne does this in many b-grade films: Queen of the Damned, Ghost Rider, and I, Frankenstein, to name a few. In Queen of the Damned Melbourne is made to look like London, England, in Ghost Rider it is an American city and in I, Frankenstein it is a generic European city. None of these films are really worth watching unless you are interested in how bits of Melbourne can be cast in different roles; in I, Frankenstein the entrance of National Gallery of Victoria appears as that of the central train station.

The city has been spared major disasters, fires or earthquakes, that destroys the old architecture and consequently Melbourne’s architecture is a fascinating mix of styles from the colonial to the classical with all kinds of revivals, Gothic Revival, Venetian Revival, Spanish Revival, Romanesque Revival, etc. thrown in to this mix. Melbourne is a place where the king tide of the eclectic architectural revivals of the nineteenth century washed up. Moving into the twentieth century there are examples of early modern architectural styles: Arts and Craft, Art Nouveau and Art Deco before the International Modernist style made all cities look the same.

Spanish Revival in Sparta Place, Brunswick

Spanish Revival in Sparta Place, Brunswick

Rudyard Kipling remarked on visiting Melbourne: “This country is American, but remember it is a secondhand American, there is an American tone on the top of things, but it is not real. Dare say, by and bye, you will get a tone of your own. Still I like these American memories playing round your streets…The Americanism of this town with its square blocks and straight streets, strikes me much.” (Tim Flannery ed., The Birth of Melbourne, Text Publishing, Melbourne, 2002, p.358)

Late nineteenth century Melbourne was frequently compared to American cities due to its cable car trams and grid of streets. Rudyard Kipling referred to Melbourne streets by their equivalent New York names: referring to Swanston Street as Fourteenth Street. Possibly Kipling made this comparison was also made because Melbourne was the about same age as many American cities like Seattle, San Francisco and Los Angeles.

Australia has a very odd relationship to America. Australian’s fear their second hand American status, yet Australia loves America as a protector. Australia swapped its loyalties to England in July 1966 for going “all the way with LBJ” as PM Harold Holt remarked at the White House. Melbourne’s own relationship with the USA is even stranger; Terry the postman told me about a letter that he delivered addressed to “Melbourne, Victoria, America”.


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