‘Edgelord’ is a mock honorific of penultimate edginess, typically given to a Nazi fanboy on Reddit, 4chan, or Tumblr. For more about Edgelords, see this definition. Another thing that screams Edgelord is owning a subterranean art gallery full of art with dark, controversial and morbid themes. Unlike buying a black trench coat, few people can afford to do this — one person who can is David Walsh.
The gambler from Tasmania who collects edgy art is a clear example of an Edgelord. Even though he doesn’t, as far as I know, have an online presence on Reddit or 4chan. Art and antiquities with themes of death are the domain of the Edgelord. I have long had my reservations about MONA (Museum of Old and New Art); see my blog post for my initial impressions.
What drew attention to this was the controversy over the now cancelled Union Flag by Spanish artist Santiago Sierra. It was to be part of the Dark Mofo festival at MONA. Asking Indigenous people to donate their blood so that a flag can be soaked in it to serve as a festival attraction might have raised some warning flags but didn’t because Dark Mofo was focused on being edgy. More than enough Indigenous blood has already been spilt. So, no one should be surprised that some Indigenous people are calling for MONA’s Edgelord and his crew to have cultural sensitivity training. See ABC news report on the subject.
Blood and flag are conservative symbols; by creating controversies, Edgelords foster conservatism because it emphasises their edgy qualities. After all, what makes things edgy is the strictures that define their perimeter.
At this point, I would like to acknowledge how close I am to being an Edgelord. The name Black Mark does suggest that, as does my habit of dressing in black and painting neo-Baroque still life. And having explored this territory, I can point out differences in its geography.
Consider the stratigraphy defining Dada and Surrealism. Both are nihilistic, utopian and progressive. Yet, there is a marked increase of sexism and homophobia in the Surrealist layer almost absent in Dada. Surrealism is advertising’s wet dream; it is so commercial and exploitable. The corresponding increase of Edgelords in Surrealism exposes one cause of this increase.
Not all controversies or nihilists are edgy; Dada’s nihilism comes with a smile, a laugh, and liberation. It celebrated and enjoyed the random, meaningless nature of the world. For if all things mean nothing to you, then you are free to enjoy the world.
This world does not need more Edgelords; it requires fewer Batmen, lone wolves, and brooding übermensch hanging around in the dark hoarsely whispering edgy things. It does not need another treasure horde of antiquities and high priced art. What the art world needs instead is to show others the possibilities in this world.