I didn’t expect to see Godzilla in Tokyo. On my recent trip to Japan; I encountered Godzilla, a bit of graffiti and a few art galleries.
The statue is based on the film “Shin Godzilla” released in 2016 and had just been installed when I first saw it in March. It is the second Godzilla sculptures in the square; the previous statue, from 1995, was modelled after the original 1954 Godzilla. It is not monstrous, the statue measures about 3 meters in height, which seems small for Godzilla. It is located in Hibiya Godzilla Square where Toho Studios, who made the Godzilla movie, was founded. And it, stands next to a booth for buying cinema tickets.
“This statue contains the surviving final version of the shooting script and storyboard from Godzilla (1954). Here resides the soul of Godzilla.” The statue’s plaque states along with: “Man must live with Godzilla – Rando Yaguchi Unidentified Creature Response Special Task Force Headquarters” It is the first sculpture based on a movie that I have seen but as the quote from the movie script argues we have to learn to live with monsters. (“He who fights with monsters should look to it that he himself does not become a monster.” Nietzsche, Beyond Good and Evil, aphorism 146)
I almost always write a post about what street art I saw on my holiday (see my posts on Athens, Dublin and Korea) only I didn’t see much Japanese street art or graffiti. I was expecting to encounter some along the streets or lanes or along the rail corridors but I didn’t see enough to write a blog post about. Nothing that was even worth a photo: a bit of tagging, a paste-up and even a small piece of yarn bombing.
I did see several art galleries in Japan from the elegant contemporary, Museum of 21st Century Art in Kanazawa to the Sumida Hokusai Museum, the most unergonomic museum that I’ve ever visited (both C and I came out with aching backs from leaning in to see the prints). I have already written about some of the exhibitions that I saw in one post about sakura influenced art in Japan. I don’t think that I will be writing anymore as writing blog posts was way down on my list of priorities in my travelling to Japan.
The influence of cherry blossom time on the art of Japan. The masses of pale pink petals exploding across the bare trees before any green leaves appear have been a feature of Japan art for centuries. On a recent trip to Japan I did flower viewing hanami) of the cherry blossoms (sakura) in Ueno Park, Nara, Kyoto and in the mountains around Kobe. I also saw a couple of exhibitions and many beautiful works of art influenced by sakura time.
Tsuchida Bakusen, Oharame, Women Peddlers, 1915 (photo Yamatane Museum of Art)
The Yamatane Museum of Art was showing a thematic exhibition: “Sakura, Sakura, Sakura 2018 – Flower Viewing at the Museum!” (Exclamation marks are common in Japanese translated into English.) It was an exhibition of traditional Japanese art, separated from the influence of contemporary international art; paintings in ink or the thick opaque mineral based Japanese pigments. Even though most of the paintings were recent, their techniques and style are traditional. However, tradition does change and in Tsuchida Bakusen’s Oharame, Women Peddlers, 1915, there is an awareness of French modern art in the way the women’s foot was loosely drawn.
There were other exhibitions influenced by cherry blossom time, paintings beautiful women (bijinga). I didn’t see the exhibition at the Tokyo University of the Arts, “Masterpieces of Beautiful Women Paintings”, but I did see the Sumida Hokusai Museum’s exhibition “ Hokusai Beauty – the brilliant women of Edo”. The roots of bijinga are in genre paintings and ukiyo-e in the Edo period and although Hokusai is noted for his landscapes he did many bijinga during his long career. Paintings of beautiful women are genre in European art too but in Japan the focus in more on the fashion rather than the flesh.
The Sumida Hokusai Museum is a shiny new building built near the artist’s birthplace. It does not a large permanent exhibition but without the temporary exhibition it would have been a disappointingly small experience. The design of the building has a real triple bottom line by enhancing the local community with a local park and a children’s playground on the museum’s plaza.
For more on sakura art read the Library of Congress notes on another exhibition.
(photo thanks to Catherine Voutier)