Apart from the graffiti pieces at their base the old silos have stood empty for decades. Now there is a mural by Loretta Lizzio of Jacinda Ardern embracing a Muslim woman on one of them.
So why in Brunswick? The silo is owned by a Muslim and Coburg’s Islamic community has supported the mural. The mural was crowd funded and the artist, Lizzio donated her time. And Ardern is considered far more believable than any current Australian politician according to a recent poll.
I wouldn’t call it an original work; as is a copy of a photograph taken in NZ after the Christchurch massacre. I assume that it has been done with copyright permission from the photographer. And originality is not the purpose of the work, it is getting the image and message up there.
Tinning Street is a good area to explore and see street art and graffiti in Brunswick. There are often fresh new graffiti pieces in the other nearby lanes and there were some guys painting when I was there this week. There is also the vibrant Ilhan Lane, the Hosier Lane of Brunswick for street art. (Ilhan Lane is named after “Crazy John” Ilhan. Remember when retailers would advertise that they were mentally ill? Crazy John, Ken Bruce has gone mad, Bipolar Bill; okay I made the last one up. I’m glad that trend came to an end.)
At Moreland Station I notice that OG23 and Askem have repainted the same wall that they have been painting for decades. It is not unusual. (See my post Same Walls.)
Has Melbourne’s street art and graffiti reached an almost steady state? In my last blog post about street art wrote that it had. A point where very little changes except for the names and locations; although many of the names and locations have been the same for decades. A decade ago new forms of street art were being explored: installations, yarn bombing, people even thought that you could grow moss in patterns.
Vincent Fantauzzo collaboration mural with Adnate in Strachan Lane serves as a reminder that street art is now another luxury commodity. F is not a street artist and his fine art works with a theme of luxury and fashion. Artists can have their careers entirely within the street art and graffiti scene, rather than moving to another career in graphic design or fine arts. This professionalism has brought an end to the D.I.Y. aspects of the culture.
What will alter the current stasis?
Locally I have seen that growth of guerrilla gardening out compete graffiti along the Upfield trainline. Planting at Brunswick Station now obscure walls that were once regularly painted. Along the tracks the vines on the side of The Commons building at Anstey Station have green-buffed large sections of that wall.
Scanning the horizon with a global look I wonder how will the environmental hazards of the current street art and graffiti be tolerated? The chemicals, the one-use cans and other aspects make it environmentally unsustainable. Painting another mural to raise public awareness will only be a sustainable argument for a short time.
On Tuesday, 26 July Jeff Kennett will announce the winner of the Metro Art Award. 25 artists aged 35 and younger are in the running for the award for painting. I went ahead of the announcement to see the exhibition of the selected paintings.
Ben Smith, The Influence, oil on board
There are plenty of paintings with over blown hyperbole, dramatic images showing-off the painter’s technical skills. There are paintings that are too ordinary or too sentimental. It felt so conservative, all these young artists painting studiously but often without any purpose other than attracting attention. Ben Smith’s “The Influence (Leonard Cohen Consoles Nick Cave)” has odd proportions and in the future, when Cohen and Cave are no longer well known, the painting will just look odd.
Vincent Fantauzzo, The Creek, oil on canvas
Vincent Fantauzzo “The Creek” looking like a Caravaggio, with a baroque drama created from working with film director, Baz Luhrmann. Vincent Fantauzzo would be the favorite having previously won the 2011 Archibald Packing Room Prize winner and Metro Art Award’s People’s Choice Prize Winner in 2009 and 2008. The wild card entry would be Matto Lucas “Daruma” who has painted on a photograph of a painted face.
I think that winner might be Michael Brennan “Right Place, Wrong Time” with the intense surface of wrinkled dried paint. Or one of the artists who emerged from Melbourne’s stencil art scene: Luke Cornish (aka E.L.K.) “Untitled, Self Portrait” a multiple layered stencil his legs climbing a ladder, a familiar exercise for artists. In the past I’ve dismissed E.L.K.’s work as technically proficient let down by the content but “Untitled, Self Portrait” combines technique with powerful but restrained image. Or Ben Howe, who was a highly commended emerging artist at the Melbourne Stencil Festival 2009. Howe’s “Time and the Elastic” is an intense, dynamic and unusual image of multiple people in multiple layers. Metro Gallery represents several local and international street artists; a framed Banksy currently hangs in the window by the gallery entrance.
“The Metro Art Award previously consisted of a Judges’ Choice Prize of $40,000 and a People’s Choice Prize of $10,000. In 2011, the People’s Choice Prize has been eliminated and the $10,000 has been added to the Judges’ Choice Prize, which is now $50,000.” (Metro’s media release) Dropping the People’s Choice Award is a good move; there are too many of these polls and the results are too easily manipulated. Popular opinion is well represented by the selection panel itself that comprises “the Hon Jeff Kennett AC former Victorian Premier and Arts Minister (Chair); with Fenella Kernebone, Presenter of the ABC TV’s Art Nation Program; the Rev Dr Arthur Bridge AM, founder of Ars Musica Australis, a charitable foundation supporting the creative arts; and human rights advocate Julian Burnside AO QC”.