This is my annual post about street art sculpture, a topic that I’ve been focused on for decades because it crosses over into my interest in public sculpture. It is the most difficult of all unauthorised art for street art sculpture often requires more materials, planning and choice of location than other forms of street art and graffiti. Even creating a small piece of black glazed ceramic with the raised letters “Black Lives Matter” on it and gluing it to a power pole takes infinitely more effort than writing it with a marker.
The ABC reported about a googly eye prankster operating in Adelaide, but all I’ve seen in Melbourne is this pink rock attached to a power pole in Brunswick. That pink rock rocks.
Prof Alison Young pointed out a series of tiny blue creatures inhabiting caves in some ill-formed concrete at the VCA. They were probably made a few years ago, given how many have been damaged, but they are still recognisable.
The year’s highlight was a series of unauthorised sculptures with a contemporary Arte Povera attitude installed in a field in Royal Park is, something very formal, physical and site-specific.
If you are make something that will survive outdoors in Melbourne, then it will last. I love how this old Will Coles cast concret sculpture in Hosier Lane survives under multiple layers of aerosol paint.
I keep finding tiny doors all over the city; I have no idea how long they have been there or what is behind them.
Street artists will sometimes create three-dimensional versions of their art. The art toy scene is another step further in this practice.
For more about unauthorised public sculptures, see my earlier posts:
- Street Art Sculpture 11 2021
- Street Art Sculpture 10 2020
- Street Art Sculpture 9 2018
- Street Art Sculpture 8 2017
- Street Art Sculpture 7 2016
- Street Art Sculpture 6 2015
- street art sculpture in the Whitechapel Area
- Street Art Sculpture 5
- 10 Great Street Installation 2014
- Street Art Sculpture III 2012
- More Street Art Sculpture 2010
- Street Art Sculpture 2009