For the first time since the end of Melbourne’s lockdown, I walked around galleries in Fitzroy. Some were familiar, institutions amongst Melbourne’s commercial art galleries, galleries that have been in operation for decades. Others were new to me. These galleries range from significant to seasonal. Some are improvised, and others polished.
“This Is No Fantasy” has another Juan Ford exhibition; I have reviewed many of his exhibitions in the past and I worry about repeating myself. “This Is No Fantasy” was Dianne Tanzer Gallery (before they merged with another gallery and took on one of the strangest names) while remaining one of Melbourne’s most influential galleries. Their artists, like Ford, win art prizes and whose works are in state collections.
A few doors further along on Gertrude Street, Oigall Projects, a new minimalist gallery has opened on Gertrude Street with an exhibition of ceramics, James Lemon’s “Cannibals”. Lemon is a New Zealand born ceramicist based-in Brunswick. His work combines brutalist ceramics piles of bricks with brightly coloured and metallic glazes.
Continuing along Gertrude Street is the Australian Print Workshop (APW). This not-for-profit arts organisation has been there for decades. Although not as influential as This Is No Fantasy, APW produces high-quality prints by established and emerging artists.
Sutton Gallery has been on Brunswick Street for decades representing established artists in the collections of state and regional galleries. At Sutton Gallery, Amanda Marburg reproduces After the Hunt, Uccello’s last painting, and eight scenes from within the picture. Marburg recreated the hunting scene from the early Renaissance painting in plasticine and then painted from those models. She is not the only artist to have painted scenes using small clay models, which painters used in the 17th and 18th centuries. Although they didn’t make it obvious as Marburg does. What does Marburg’s technique add to our view of deer hunting scenes in the Renaissance, or is it just another filter effect?
In Sutton Gallery’s small gallery, Arlo Mountford’s video installation Obscured By Clouds expects too much. “A range of interpretations is encouraged from the viewer.” It just looked like a well-produced collection of clips with some surround sound somewhat awkwardly installed but wasn’t encouraging any interpretations.
At the other extreme, there is Brunswick Street Gallery and some shopfront galleries with no influence and prestige. Brunswick Street Gallery had its usual eight exhibitions in different media in its various spaces: linocuts, oil painting, sculptures, ceramics, mixed-media and photography. And Rose Chong’s Costumiers has turned its display windows into “Chongworld Christmas Gallery” with artworks for sale. None of them made me want to write about, but these artists are not showing to be written about but purchased. I was surprised to see some artists studios, Pól the Painter and graffiti writer Mickey xxi, as for decades, rental prices in Fitzroy have been too high for such ventures.